©李易暹、颜归真、许立忠
团队有幸获邀策划「 2020 DigiWave 无条件进位CeilToInt();」,这是一个以科技为主轴的庆典。通常我们会婉拒策划活动的委托,希望把能量专心置放于创作与制作。但这次活动以「科技」与「庆典」作为交集,于是我们动摇了。
The team was honored to be invited to plan "2020 DigiWave Unconditional Carry CeilToInt();", which is a celebration centered on technology. Usually, we would decline the entrustment of planning an event, hoping to focus our energy on creation and production. But this time the event is based on the intersection of "technology" and "celebration", so we were shaken.
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项目类型:艺术品、娱乐
项目类别: 活动、展览
项目年份:2020年
项目地点:高雄驳二艺术特区高雄驳二艺术特区
Unconditional Carry CeilToInt Digital Exhibition
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「科技」,一直是团队非常关注的事,不管在何种面向。所以更加清楚,对于未来的幻想,是科技不断向前的核心动能。因此我们提出了「无条件进位」这个概念,向那些义无反顾前往未来想像的创作者与实践者们致敬。也希望带领观众踏入科幻世界观的奇妙时刻。
于此概念下,我们抛出了四个未来事件作为提问:
「无法辨识机器或人的那一刻」,「身体可以任意定义的那一刻」,「无法分辨真实虚拟的那一刻」,「发现宇宙其他文明的那一刻」 去假设科技导致的某个事件或情境,并邀请了许多优秀的作品展出, 而我们则执行了一个新作「遥视」串联整个空间,献给所有对于未来抱持着热诚与幻想的心。
"Technology" has always been a matter of great concern to the team, no matter what aspect it is in. Therefore, it is more clear that the fantasy of the future is the core driving force for the continuous advancement of technology. Therefore, we proposed the concept of "unconditional carry" to pay tribute to the creators and practitioners who went to imagine the future without hesitation. I also hope to lead the audience into the wonderful moment of the sci-fi worldview. Under this concept, we throw out four future events as questions: "The moment when machines or people cannot be recognized", "The moment when the body can be defined arbitrarily", "The moment when the real and the virtual cannot be distinguished", "The moment when other civilizations in the universe are discovered" to assume an event or situation caused by technology , and invited many excellent works to exhibit, and we executed a new work "Remote Viewing" to connect the entire space, dedicated to all the hearts that hold enthusiasm and fantasy for the future.
©李易暹、颜归真、许立忠
©李易暹、颜归真、许立忠
©李易暹、颜归真、许立忠
©李易暹、颜归真、许立忠
为使现场的气质与我们所设定的题目「科幻」相符,我们打造了一件向所有对于未来义无反顾的人们致敬的作品:遥视。
「遥视」一词为专有名词,系指能超越正常视力看到遥远彼方、甚至不同时空外景象的特殊现象;我们认为此义贴切了形容了所有对于遥远的未来有着无尽好奇,不断透过想像力与科技推动着世界的人们,于是以此为主题打造了这件巨大的影像作品。
遥视的表现形式以宽阔的立面与极长的地面影像所组成。立面的远方,是我们遥望亟欲所见之处,脚下的地面,则是我们所途经之路;透过快速在不同空间、时间,甚至是维度的量级上跳跃,将观者的全部观感拉入「进位」的体验,并以此作品向梦想家们致敬。
为定义此作品的精神,我们留下了一些文字:
面前是一个方框。
方框里没有时间与空间的限制,任由你的意念飘移。
将出现的是未见过的彼方,未解的谜团。
当然也有关于你自己,那些已知的过去与未知的未来。
最后画面需要停下时,你会选择留在哪一刻?
Remote Viewing Clairvoyance In order to match the temperament of the scene with the title "Science Fiction" we set, we created a work that pays tribute to all those who have no hesitation in the future: Remote Viewing. The term "remote viewing" is a proper noun, which refers to the special phenomenon of being able to see distant places beyond normal vision, and even scenes in different time and space; People who move the world through imagination and technology, so this huge video work was created based on this theme. The manifestation of remote viewing is composed of a wide facade and an extremely long ground image. The distance of the facade is the place we want to see when we look at it, and the ground under our feet is the road we pass by; by quickly jumping in different spaces, times, and even dimensions, the viewer's entire The perception is pulled into the experience of "carrying", and this work pays tribute to the dreamers. To define the spirit of this work, we leave some words: In front of you is a box. There is no limit of time and space in the box, let your thoughts drift. What will appear is the unseen side, the unsolved mystery. Of course, there is also about yourself, the known past and the unknown future. When the picture needs to stop at the end, which moment will you choose to stay in?
©李易暹、颜归真、许立忠
©李易暹、颜归真、许立忠
©李易暹、颜归真、许立忠
©李易暹、颜归真、许立忠
©李易暹、颜归真、许立忠
展场空间Space Design
在进入「无条件进位」的入口之处,走过一条漆黑长廊之后,等待着观众的是一面丝毫不反光的漆黑正圆。正圆表面平滑如镜,悬浮于观众迎面所见的正中前方,四周空无一物。不时地,镜面上会显示的一条条记录着科技爆发的大事记。这个漆黑的正圆,即象征着科技的「奇点」。它所宣示的是:从眼下这一步开始,观者即将跳跃离开现今的时空,探索不断进位的科幻空间。
在穿越过科技奇点的廊道后方,首先迎面所见的,便是宽广巨大的互动作品:遥视。
当观众走进展场的一瞬间,他们便会被现场架设的数台红外线摄影机所侦测,同时经由16台投影机熔接的巨大地面投影,无数的发光侦测符号会飞速接近人们脚边,环环包围住观众的四周,塑造「登入」展场后瞬间被侦测锁定的奇异体验,第一时间就打破观者们对于寻常观展的期待。
After entering the entrance of "Unconditional Carry", after walking through a dark corridor, what awaits the audience is a perfect black circle that does not reflect light at all. The surface of the perfect circle is as smooth as a mirror, suspended in front of the center of what the audience sees head-on, and there is nothing around. From time to time, the mirror will display a strip recording the memorabilia of the technological explosion. This pitch-black perfect circle symbolizes the "singularity" of technology. What it declares is: starting from the present step, the viewer is about to jump away from the present time and space, and explore the ever-advancing sci-fi space. Behind the corridor passing through the technological singularity, the first thing you see head-on is a vast and huge interactive work: remote viewing. The moment the audience walks into the exhibition hall, they will be detected by several infrared cameras set up on the site. At the same time, through the huge ground projection fused by 16 projectors, countless luminous detection symbols will quickly approach people's feet, surrounded by Surrounding the audience, creating a strange experience of being detected and locked instantly after "logging in" to the exhibition hall, breaking the audience's expectations for ordinary exhibitions in the first place.
©李易暹、颜归真、许立忠
©李易暹、颜归真、许立忠
透过这次与一起设计(Atelier Let's) 为这次展览所打造的空间规划,我们希望将遥视的格局与体验扩大极张;为此无条件进位打破了常见的展览配置,空出展场中央巨大的主干道,让遥视发挥它沉浸体验的功能,并以巨大的金属钢板围住展场周围的四大区域,隔出以四大未来事件概念,并分别邀请了国内外杰出的艺术展品与科技发展史上的重要物品。
无法辨识机器或人的那一刻
我们邀请日本当红的虚拟网红「imma」,以及长年创作「生物与机械合体/混种」议题的艺术家黄赞伦,透过作品「摇摇马」隐喻人造物巨大的摧毁能力。
可任意定义身体的那一刻
当意识是本体,服装与乐器都可视为身体的延伸,此区集结美秀集团自制的实验乐器「炫炮」,以及服装设计师APUJAN对时装的奇幻异想「云的制造所」
无法分辨真实虚拟的那ㄧ刻
「无法分辨真实虚拟的那ㄧ刻」,由智崴全球带来沉浸体感影院「XR Cinema」,藉由VR装备突破展区的时空。
发现宇宙其他文明的那一刻
直至今日,人类依然还未对于接触宇宙其他文明,做好任何思想上的准备。为了遥想未知与探索,此区作品「航海家金唱片」收录了1976 年由NASA 发送至太空代表地球文化和生命的各种声音与图像;艺术家张腾远的「逃生至地球:100种在地球上的生存方法」,透过动画装置说明100段地球生存的指南;跨领域艺术团队OVERGROWN 的「核芯样本」则从未来撷取一块生态样本,探索其引发的潜在能量。
经由这样的行进方向规划,观众们会自行发展出来回游动的流动路线,在途经四大展区的路途上,也势必会再次经过中央的遥视,一步步构筑成8字型的自由动线,开放性的邀请民众停下脚步,见证着科技对于影像、艺术、空间、以至于体验的深度。
Through the space planning created by Atelier Let's for this exhibition, we hope to expand the pattern and experience of remote viewing; for this reason, the unconditional carry broke the common exhibition configuration and vacated a huge space in the center of the exhibition hall. The main road allows remote viewing to play its function of immersive experience, and surrounds the four major areas around the exhibition hall with huge metal steel plates, separating the four future event concepts, and respectively invites outstanding art exhibits and exhibitions at home and abroad. Important items in the history of technological development. The moment when machine or human cannot be identified We invited the popular virtual internet celebrity "imma" in Japan, and Huang Zanlun, an artist who has been creating the topic of "biological and mechanical fusion/hybrid" for many years, to use the work "Rocking Horse" as a metaphor for the huge destructive ability of man-made objects.
The moment when the body can be defined arbitrarily When the consciousness is the body, clothing and musical instruments can be regarded as the extension of the body. This area gathers the experimental musical instrument "Xuan Pao" made by Meixiu Group, and the fashion designer APUJAN's fantasy "Cloud Factory". I can't tell the real moment from the virtual "The moment when the real and the virtual can't be distinguished", Zhiwei Global brought the immersive somatosensory theater "XR Cinema", breaking through the time and space of the exhibition area with VR equipment. The moment when other civilizations in the universe were discovered Until today, human beings have not yet made any mental preparations for contacting other civilizations in the universe. In order to think about the unknown and explore, the work "Voyager Golden Record" in this area contains various sounds and images sent by NASA to space in 1976 to represent the earth's culture and life; "Methods of Survival" explains 100 paragraphs of guidelines for the survival of the earth through animation installations; "Core Sample" by the interdisciplinary art team OVERGROWN extracts an ecological sample from the future to explore the potential energy it triggers. Through such planning of travel direction, the audience will develop their own flow routes for swimming back and forth. On the way through the four exhibition areas, they will inevitably pass through the central remote viewing again, and build a figure-eight free moving line step by step. , openly invites the public to stop and witness the depth of technology for video, art, space, and even experience.
©李易暹、颜归真、许立忠
©李易暹、颜归真、许立忠
©李易暹、颜归真、许立忠
©李易暹、颜归真、许立忠
©李易暹、颜归真、许立忠
©李易暹、颜归真、许立忠
©李易暹、颜归真、许立忠
周边活动Surroundings
作为一个面对大众的特展,忽然深谈科幻似乎对有些距离,但其实人们时常透过影视、书籍、漫画等载体接收到这样的题材,因此与保育漫画店「Booking」合作,并在现场扑满棉豆腐床垫,打造充满科幻经典的「Chill 晒书房」,让大家或坐或卧、以最自在的姿态收科幻想像。每过一段时间,晒书房的灯光将会暗下来,播放由Giloo纪实影音严选的科幻电影,并且在每一场电影后都安排了映后座谈,使观众们得以透过各式不同的载体吸收各种文化对于科幻的想像。
Surroundings As a special exhibition open to the public, it seems a bit far away to talk about science fiction suddenly, but in fact people often receive such themes through media such as film and television, books, and comics. Cotton tofu mattress creates a "Chill drying study room" full of sci-fi classics, allowing everyone to sit or lie down and collect sci-fi imaginations in the most comfortable posture. Every once in a while, the lights in the drying room will be dimmed, and sci-fi movies carefully selected by Giloo documentary audio and video will be played, and post-screening discussions will be arranged after each movie, so that the audience can experience the Absorb the imagination of various cultures for science fiction.
©李易暹、颜归真、许立忠
©李易暹、颜归真、许立忠
©李易暹、颜归真、许立忠
©李易暹、颜归真、许立忠
©李易暹、颜归真、许立忠
项目信息
项目类型:艺术品、娱乐
项目类别: 活动、展览
项目年份:2020年
项目地点:高雄驳二艺术特区高雄驳二艺术特区
指导单位:高雄市政府、经济部工业局
主办单位: 高雄市政府经济发展局
策展单位:台湾产学策进会、叁式
协办单位:火气音乐、LA RUE 文创设计
指定投影机品牌:EPSON
参展单位:APUJAN、imma、OVERGROWN Group、叁式、美秀集团狗柏、张腾远、智崴全球、黄赞伦 对谈讲者:台湾通勤第一品牌、施俞如、黄建宏
廖小子、邓兆旻、栾丕纲
演出单位:The Fur.、大象体操、拍谢少年、孩子王、美秀集团、灭火器
赞助单位:BOOKING、Giloo 纪实影音、Gramovox、酉鬼啤酒、眠豆腐
策展人:曾炜杰
专案经理:陈威廷
行销暨公关统筹:赵逸秋、吴淑靖
艺术指导:何庭安
视觉设计:一步工作室、安根设计、曹家宁、宋佳芸、余孟轩
空间设计:一起设计辜达齐、谢宜珊
展场工务统筹:有用设计张雅珮、杨淳智
展览企划执行、文案、展策编辑:曾炜杰、曹家宁、蔡瑞伶、宋佳芸
行销策划:宋伊婕、何彦伶、纪婉婷
展务营运:黄薇如
展览执行:曹家宁、何彦伶、宋伊婕、宋佳芸、林家蔚、谢承芳、于佳卉、汪乃心、曾于珊、陈佳玉、陈苑菁
系统技术指导:张存宇、吕承翰
程式开发设计:张存宇
硬体建置工程:雷米多媒体、铁吹制作、小小雷射
展场静态影像纪录:李易暹、颜归真、许立忠
展场动态影像纪录:二人三角、庄定一
特别感谢:邱承翰、张家伦、刘威利、王宏炜、赖柏榕、洪珮珊、吕雅筑、吕妙盈、许芳境
遥视Clairvoyance制作人:吴克军
艺术总监:何庭安
动态影像设计:何庭安、吴克军、郑诒谦、刘怡萱
编曲/混音:黄镇洋、龙俊宇
互动系统设计与执行:陈韦安
雷射程式:蔡佳礽
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