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“庆祝变革” I MO博物馆主题展

©Norbert Tukaj

MO博物馆正在举办一个以“庆祝变革”为主题的展览，旨在庆祝个人和社会的变化。展览以“界限”为概念，将立陶宛艺术家的丰富照片集中呈现，营造出一个象征着过渡、跨越、转变和回归的仪式空间。展馆建筑与主题相得益彰，为参观者创造了连贯的场景，让他们沉浸在展览的氛围中。

The MO Museum is hosting an exhibit titled "Celebrating Change," which celebrates personal and social change. With the concept of "Boundary", the exhibition presents the rich photos of Lithuanian artists together, creating a ritual space that symbolizes transition, crossing, transformation and return. The pavilion architecture complements the theme, creating a coherent scene for visitors, immersing them in the atmosphere of the exhibition.

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项目名称：041 MO

Architecture 展览公司：ŠA atelier

公司地点：立陶宛维尔纽斯

竣工年份：2021年

MO博物馆主题展

MO Museum Theme Exhibition

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MO博物馆正在展出主题为“庆祝变革”的展览，旨在展示个人和社会变革的意义。该展览以“阈限”为概念，呈现了来自立陶宛艺术家的丰富照片集，创造出象征着过渡、门槛、转变和回归的仪式空间。展览的建筑设计与主题相呼应，为参观者创造了一个连贯的场景。

The MO Museum is presenting an exhibition titled "Celebrating Change," which aims to demonstrate what it means to change individuals and societies. Using the concept of "Liminality", the exhibition presents a rich collection of photographs from Lithuanian artists, creating ritual spaces that symbolize transition, threshold, transformation and return. The architectural design of the exhibition echoes the theme, creating a coherent scene for visitors.

©Norbert Tukaj

这次展览被划分为三个主要区域，每个区域都形成了独特的空间氛围。参观者的线性运动仿佛成为一种仪式，把众多作品串联在一起。这种布局的设计也揭示了不同作者和时代之间的关系。

The exhibition is divided into three main areas, each forming a unique spatial atmosphere. The linear movement of the visitors seems to be a ritual, connecting many works together. The design of this layout also reveals the relationship between different authors and eras.

©Norbert Tukaj

展览以一个平静的小规模建筑开始，其中“桌子”元素作为传统个人庆祝活动的象征被暗示。随着时间的推移，水平面逐渐转变为垂直墙壁，紧张的氛围逐渐增加，曾经开放的空间变得更加封闭和压抑。这个过程象征着从个人庆祝到国家庆祝的转变。参观者被引入一个结构严密的区域，家居用品的尺度被转化为一种意识形态的表达方式。

The exhibition begins with a calm, small-scale architecture, where the "table" element is suggested as a symbol of traditional personal celebrations. Over time, the horizontal planes gradually transformed into vertical walls, the tension gradually increased, and the once open space became more closed and depressing. This process symbolizes the transition from personal to national celebration. Visitors are introduced into a tightly structured area where the scale of household objects is transformed into an ideological expression.

©Norbert Tukaj

系统中，一个通往自由的裂缝将引领人们进入“Žalgiris”的投影空间，揭示出民族主题的新内涵。即使是刚刚经历过“裂缝”的游客也会因黑暗与投影的尺度而再次兴奋起来。裂缝之中，自由的主题将演变为“混乱”。

然而，这个系统有一个通往自由的裂缝，一个带有投影“Žalgiris”的空间，其中民族主题呈现出新的含义。投影的规模和黑暗甚至让通过严格结构的游客兴奋不已。这一刻之后，自由的主题陷入混乱。

In the system, a crack leading to freedom will lead people into the projected space of "Žalgiris", revealing new connotations of the national theme. Even visitors who have just experienced "The Rift" will be thrilled again by the dark and projected scale. In the cracks, the theme of freedom will evolve into "chaos". However, this system has a crack leading to freedom, a space with the projection "Žalgiris", in which the national theme takes on a new meaning. The scale and darkness of the projections thrill even visitors passing through the strict structure. After this moment, the theme of freedom descends into chaos.

©Norbert Tukaj

展览中存在一个系统，其中一个裂缝通向自由，引领人们进入投影空间“Žalgiris”，揭示出民族主题的全新内涵。即使经历了这个裂缝的游客也会因为黑暗和投影的规模而再次感到兴奋。在裂缝中，自由的主题逐渐演变为“混乱”。

There is a system in the exhibition, where a crack leads to freedom, leading people into the projection space "Žalgiris", revealing new connotations of the national theme. Even visitors who have gone through this rift will be thrilled again by the darkness and projected scale. In the cracks, the theme of freedom evolves into "chaos".

©Norbert Tukaj

当参观者离开展览时，他们将再次经过入口处的那张桌子，只是从另一个角度。这时，一个新的问题涌上心头：“变革”是否已经发生？

When visitors leave the exhibition, they will pass the table at the entrance again, only from a different angle. At this time, a new question came to my mind: Has "change" occurred?