©朱雨蒙
2023年1月13日,2022首届北京艺术双年展的压轴展览——“蓝图北京”,在双年展分会场北京木木美术馆(钱粮胡同馆)揭幕。展览由马岩松担任策展人,MAD建筑事务所协办。
On January 13, 2023, the final exhibition of the first Beijing Art Biennale in 2022, "Blueprint Beijing," was unveiled at the sub venue of the Biennale, Beijing Mumu Art Museum (Qianliang Hutong Museum). The exhibition was organized by Ma Yansong and co organized by MAD Architecture.
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项目名称:蓝图北京 2022首届北京艺术双年展建筑艺术版块
项目策展:马岩松
项目地点:木木美术馆(钱粮胡同馆)
学术顾问:王明贤
设计执行:郑程文、杨雪兵、Edgar Navarrete S.、Rozita Kashirtseva、张彤、叶兰珊
"Blueprint Beijing": Ma Yansong curated the first Beijing Art Biennale
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这次建筑艺术展览主题为“蓝图北京”,围绕“历史年轮”和“未来狂想”两个方向展开,共有20位来自国内外的建筑师和艺术家参展,展出作品包括建筑模型、装置和图像等形式。此外,还有8组建筑师的文献研究和4部中国近现代电影作品同时展出。这是一场集体创作,绝大多数作品都是根据地域特点和需求而特别制作或者重新制作。展览作品不分地域和年龄,通过思想和情感的碰撞、对话和共鸣,旨在激发观众对城市未来的想象。
The theme of this architectural art exhibition is "Blueprint Beijing", focusing on two directions: "Historical Ring" and "Future Fantasy". A total of 20 architects and artists from both domestic and foreign countries participated in the exhibition, showcasing works in various forms such as architectural models, installations, and images. In addition, there are 8 groups of architects' literature research and 4 Chinese modern and contemporary film works exhibited simultaneously. This is a collective creation, with the vast majority of works being specially made or remade based on regional characteristics and needs. The exhibition works, regardless of region and age, aim to stimulate the audience's imagination of the future of the city through the collision, dialogue, and resonance of ideas and emotions.
©朱雨蒙
©朱雨蒙
©朱雨蒙
在蓝图北京展览的开幕式上,策展人马岩松强调了展览的主要话题是未来。他表示,展览作品中既有大家熟悉的北京,也有大家想象中的北京。在此次展览中,近百年来全世界范围内对城市和建筑有理想主义和疯狂畅想的建筑师及其作品被放置在同一个时空中。展览名称“蓝图北京”预示着2023年未来的城市将充满想象力和能量,会更加开放、更加融合。展览的目的是激发大家对未来城市的想象,并促进对话和碰撞,希望创造一个更加美好的未来。
At the opening ceremony of Blueprint Beijing Exhibition, curator Ma Yansong emphasized that the main topic of the exhibition is the future. He said that the exhibition works include both the familiar Beijing and the imagined Beijing. In this exhibition, architects and their works who have had idealistic and crazy fantasies about cities and architecture worldwide for nearly a century are placed in the same space and time. The exhibition name "Blueprint Beijing" signifies that the city of 2023 will be full of imagination and energy, and will be more open and integrated. The purpose of the exhibition is to stimulate everyone's imagination of future cities, promote dialogue and collision, and hope to create a better future.
部分参展艺术家与策展人现场合影©MAD
蓝图一词最初是指建筑师使用的工作工具,用于规划建筑物的设计。随着时间的推移,它的含义已经演变为指代历史档案以及未来构想。优秀的建筑师可以通过他们的思想和远见,不断改造现实。在推动北京城市化发展的“历史性蓝图”中,我们可以看到中国特色的独特之处,它对现代中国建筑界的发展和现状产生了深远的影响。随着中国城镇化发展迈向新阶段,未来的愿景不仅仅适用于北京,更可以让我们想象未来中国的模样。历史上建筑师们曾经构思的“未来蓝图”,或许可以给我们启示,展示城市发展的价值观和建筑师的力量之间的关系。
北京是一个历史悠久的城市,它的发展历程由人们对未来的想象构成。20世纪50年代的规划师和建筑师对北京的未来充满了美好的幻想,这些想象开创了如今北京城市格局的基础。那些已经成为城市背景的建筑,反映了北京一个时代的普遍状态。当我们谈论城市时,必然会牵扯到基本的居住、休闲、娱乐、餐饮和工作等生活要素。作为建筑师,我们需要以对过去的反思、对现在的观察和体验,以及对未来的美好想象为指导,不断寻找新的出路,在传统与创新、保护与发展、本地与全球、个性与群体之间找到平衡点。
The term blueprint originally referred to the working tool used by architects to plan the design of buildings. Over time, its meaning has evolved to refer to historical archives and future ideas. Excellent architects can constantly transform reality through their ideas and foresight. In the "historic blueprint" for promoting the urbanization development of Beijing, we can see the unique characteristics of China, which have had a profound impact on the development and current situation of modern Chinese architecture. As China's urbanization development enters a new stage, the future vision not only applies to Beijing, but also allows us to imagine the future of China. The "blueprint for the future" envisioned by architects in history may shed light on the relationship between the values of urban development and the power of architects.
Beijing is a city with a long history, and its development process is composed of people's imagination of the future. In the 1950s, planners and architects were filled with beautiful fantasies about the future of Beijing, which laid the foundation for the current urban landscape of Beijing. The buildings that have become urban backgrounds reflect the general state of Beijing in an era. When we talk about cities, it inevitably involves basic elements of life such as residence, leisure, entertainment, catering, and work. As architects, we need to be guided by reflection on the past, observation and experience of the present, and a beautiful imagination of the future, constantly seeking new ways out, and finding a balance between tradition and innovation, protection and development, local and global, personality and group.
策展人马岩松现场导览 © MAD
Filter City和City as a Room是由Cook Haffner建筑事务所的主持建筑师和主理人彼得·库克爵士创作的两幅作品,旨在探索在疫情的影响下,城市未来的发展趋势。
Filter City and City as a Room are two works created by Sir Peter Cook, the lead architect and manager of Cook Haffner Architects, aiming to explore the future development trends of cities under the influence of the epidemic.
Cook-Haffner参展作品《Filter City》与《City as a Room》 © 朱雨蒙
Astro Balloon 1969 Revisited – Feedback Space是蓝天组的沃尔夫·德·普瑞克斯专门为本次北京艺术双年展而创作的最新一代作品。这是一个独特的装置,它呈现出云状、半透明和反光的特性,能够漂浮在空中,并与栖居人的情感和活动进行互动。
Astro Balloon 1969 Revised - Feedback Space is the latest generation of works created by Wolf de Prex from the Blue Sky group specifically for this Beijing Art Biennale. This is a unique device that exhibits cloud like, semi transparent, and reflective characteristics, capable of floating in the air and interacting with the emotions and activities of its occupants.
蓝天组 沃尔夫 · 德 · 普瑞克斯参展作品《Astro Balloon 1969 Revisited – Feedback Space》© 怪脾气的周一叔叔 小红书
伊东丰雄创作的“东京游牧少女之包Ⅱ”,回应了“在消费主义的当下,何为居住”的当代议题。
Toyo Ito's "Tokyo Nomadic Girl's Bag II" responds to the contemporary issue of "what is residence in the present of Consumerism".
伊东丰雄参展作品《东京游牧少女之包Ⅱ》 © 怪脾气的周一叔叔 小红书
MAD建筑事务所的“北京2050”计划是对老北京城发展的一次尝试和回应。在保护和仿古的同时,是否还有其他的方式来保护老北京城的历史和文化遗产呢?这是MAD建筑事务所思考和探索的问题。
MAD Architecture's "Beijing 2050" plan is an attempt and response to the development of the old Beijing city. Is there any other way to protect the historical and cultural heritage of old Beijing while preserving and imitating the ancients? This is a question that MAD Architecture Firm is contemplating and exploring.
MAD建筑事务所参展作品《北京2050》 © 練懿霆 Lien
绘造社一直以来关注着普通建筑和城市空间,他们用“河边餐厅”这一幅图像微小说,向我们展现了日常生活中那些出乎意料但又十分合理的空间利用智慧。这个路边摊餐厅的设计简单却不失美感,将其搭建在河畔的平台上,利用了地形和环境的自然特点,创造出了一个舒适、实用的用餐空间。这个微小的设计不仅提高了周边环境的品质,也为城市中的日常生活带来了更多的美好。
The Painting Society has always been paying attention to ordinary buildings and urban spaces. They use the image of "riverside restaurants" in micro novels to showcase the unexpected but very reasonable wisdom of space utilization in daily life. The design of this Market stall restaurant is simple but aesthetic. It is built on the platform beside the river, taking advantage of the natural characteristics of the terrain and environment to create a comfortable and practical dining space. This small design not only improves the quality of the surrounding environment, but also brings more beauty to daily life in the city.
绘造社参展作品《河边餐厅》 © 朱雨蒙
由众建筑的何哲、沈海恩与臧峰创作的“阈限北京”通过相互连接的管道将不同时空的北京相连起来。
The "Threshold Beijing" created by He Zhe, Shen Haien, and Zang Feng from various buildings connects Beijing in different time and space through interconnected pipelines.
众建筑 何哲、沈海恩与臧峰参展作品《阈限北京》 © 怪脾气的周一叔叔 小红书
梁琛设计的“无尽之塔”构建出一个通向无尽的西西弗斯纪念碑。
The "Endless Tower" designed by Liang Chen builds a monument to Sisyphus that leads to the endless.
梁琛参展作品《无尽之塔》 © 朱雨蒙
未建筑设计研究所创造性地利用纽约中央公园中流动性的空间,打造了名为“图乐园”的图书馆。与此同时,他们也在构思百年后的地球生活,并通过“共生计划”提供适宜人居的宇宙空间,为人们在宇宙中的生活提供舒适的居住环境。这种创新性的设计理念,可以为未来的城市规划和建筑设计提供有益的借鉴和思路。
The Institute of Architectural Design creatively utilized the dynamic space in New York's Central Park to create a library called "Tu Yuan". At the same time, they are also conceptualizing life on Earth in a century and providing a comfortable living environment for people in the universe through the "Symbiosis Plan" to provide a suitable living space. This innovative design concept can provide useful references and ideas for future urban planning and architectural design.
未建筑设计研究所参展作品《共生计划》与《图乐园》 © 朱雨蒙
程艳春设计的“超级多米诺”系统住宅,是一种试图颠覆传统住宅设计和建造模式的全新尝试,旨在为人们创造真正适合自己的未来生活空间。这个系统可以根据人们的个性化需求进行定制,不断地拼接、调整和优化,创造出一个完美的住宅环境。这种住宅不仅能够满足人们的生活需求,还能够为人们带来更加舒适和便捷的生活体验。
The "Super Domino" system residence designed by Cheng Yanchun is a new attempt to subvert traditional residential design and construction models, aiming to create a truly suitable future living space for people. This system can be customized according to people's personalized needs, continuously spliced, adjusted, and optimized to create a perfect residential environment. This type of residence not only meets people's living needs, but also brings people a more comfortable and convenient living experience.
程艳春参展作品《超级多米诺》 © 朱雨蒙
石上纯也的“洞穴餐厅和住宅”以自然生成的方式呈现出建筑的形态,就像岩石形成沉积物一样,为未来建筑的发展提供了一种新的想象方式。
The "cave restaurants and residences" of Junya Ishikawa present architectural forms in a naturally generated manner, just like rocks forming sediment, providing a new way of imagination for the development of future architecture.
石上纯也参展作品《洞穴餐厅和住宅》 © MAD
石上纯也参展作品《洞穴餐厅和住宅》 © 練懿霆 Lien
在城市发展中,“扩张”和“废弃”是难以避免的现象。而当工业设施完成了其历史使命后,我们该如何处理它们呢?艾瑞克·欧文·莫斯的“The New City”项目,旨在为建筑适应性再利用设定当代标准。该项目创作于20世纪80年代,致力于通过当代技术手段,重建废弃的工业设施,使之焕发新生。
In urban development, "expansion" and "abandonment" are unavoidable phenomena. And when industrial facilities have completed their historical mission, how should we deal with them? Eric Owen Moss' 'The New City' project aims to set contemporary standards for the adaptive reuse of buildings. This project was created in the 1980s and is committed to using contemporary technological means to rebuild abandoned industrial facilities and revitalize them
艾瑞克·欧文·莫斯参展作品《The New City项目》 © 怪脾气的周一叔叔 小红书
MVRDV建筑规划事务所提出了“大巴黎计划”,旨在通过增加城市密度来替代无序扩张,以减缓城市未来的无序蔓延问题。该计划的目标是通过优化土地利用和建筑设计,创造更加紧凑、高效、宜居的城市空间,为城市的可持续发展提供可行的解决方案。
MVRDV architectural planning firm has proposed the "Greater Paris Plan", aiming to replace disorderly expansion by increasing urban density, in order to alleviate the problem of disorderly expansion in the future of the city. The goal of this plan is to create more compact, efficient, and livable urban spaces by optimizing land use and architectural design, providing feasible solutions for the sustainable development of the city.
MVRDV建筑规划事务所参展作品《大巴黎计划:用增加密度取代城市无序的扩张》 © 朱雨蒙
扎哈·哈迪德建筑事务所的“全球城市”项目运用了参数化设计模型,为伦敦向东扩张提供了创新性的解决方案。这一城市设计方案不仅注重建筑师的敏感度,也充分考虑了城市的连通性和密度,以创造一个可持续的、具有高品质生活的城市空间。
The "Global city" project of Zaha Hadid Architects uses the parametric design model to provide innovative solutions for London's eastward expansion. This urban design scheme not only emphasizes the sensitivity of architects, but also fully considers the connectivity and density of the city to create a sustainable and high-quality urban space.
扎哈·哈迪德建筑事务所参展作品《全球城市》 © 朱雨蒙
OPEN建筑事务所的创始人李虎和黄文菁针对当下北京城市中的“空缺”与“拥堵”现象,提出了“每个人的城市”和“二环·二零四九”这两个构想。前者探索城市中各种不同的空间使用,从而让每个人都能在城市中找到属于自己的空间;后者则是针对北京市中心区域二环道路,提出在未来30年逐步推进二环区域的交通与城市更新,以达到人车分流、交通拥堵减轻等目的。这些设想希望通过规划和设计,让未来的北京更加美好、更加宜居。
The founders of OPEN Architecture Firm, Li Hu and Huang Wenjing, proposed two concepts: "Everyone's City" and "Second Ring · 2049" in response to the current phenomenon of "vacancies" and "congestion" in Beijing. The former explores various spatial uses in the city, allowing everyone to find their own space in the city; The latter is aimed at the second ring road in the central area of Beijing, proposing to gradually promote traffic and urban renewal in the second ring area in the next 30 years, in order to achieve the goals of pedestrian and vehicle diversion, traffic congestion reduction, and so on. These ideas hope to make the future of Beijing more beautiful and livable through planning and design.
OPEN建筑事务所 李虎与黄文菁参展作品《二环·二零四九》与《每个人的城市》© 朱雨蒙
OPEN建筑事务所 李虎与黄文菁参展作品《二环·二零四九》与《每个人的城市》 © 練懿霆 Lien
张永和是非常建筑事务所的建筑师,他希望自行车不仅仅是一种交通方式,更能成为一种生活方式。因此他提出了创造功能多样、空间多样的“骑行城市”的设想。他认为,这种城市应该为骑行者提供丰富的设施和服务,比如停车场、骑行路径和社交空间等,让骑行成为城市居民生活中不可或缺的一部分。
Yong He zhang is an architect of a very architectural firm. He hopes that bicycles can become not only a way of transportation, but also a way of life. Therefore, he proposed the idea of creating a "cycling city" with diverse functions and spaces. He believes that such cities should provide cyclists with rich facilities and services, such as parking lots, cycling paths, and social spaces, making cycling an indispensable part of urban residents' lives.
非常建筑 张永和参展作品《骑行城市》 © 朱雨蒙
时境建筑的张继元和卜骁骏创作的“停顿三秒的超现实主义北京”与“皮村乌托邦:北京蓝领的平行宇宙”,从北京现实的城市环境出发,描绘独属于北京的未来畅想。
Zhang Jiyuan and Bu Xiaojun of the time environment architecture created "Surrealism Beijing with a three second pause" and "Picun Utopia: Parallel universe of blue collar workers in Beijing", starting from the real urban environment of Beijing, to describe the future vision of Beijing alone.
时境建筑 张继元和卜骁骏参展作品《停顿三秒的超现实主义北京》与《皮村乌托邦:北京蓝领的平行宇宙》 © 朱雨蒙
时境建筑-张继元和卜骁骏参展作品《停顿三秒的超现实主义北京》与《皮村乌托邦:北京蓝领的平行宇宙》 © 怪脾气的周一叔叔 小红书
王子耕以坛城为灵感,提出了两种不同的城市转化方式,形成了两种不同的城市模型,分别展现出他对理想城市的想象和现实城市的表达。这些城市模型中,王子耕试图营造出一种圆融有序、等级森列的城市,与现实世界中多元交杂的城市形态形成了张力。
Prince Geng, inspired by Tancheng, proposed two different ways of urban transformation, forming two different urban models, showcasing his imagination of an ideal city and his expression of a real city. In these urban models, Prince Geng attempts to create a harmonious, orderly, and hierarchical city, forming a tension with the diverse and mixed urban forms in the real world.
王子耕参展作品《想象的北京》 © 朱雨蒙
王明贤通过视频影像、文献收藏和文学语录等方式,向大众展示了一幅深深植根于历史中的老北京城的图景。他的作品让人们可以重新认识和了解这座城市的文化、历史和人文精神,更好地传承和保护老北京城的文化遗产。
Wang Mingxian showcased to the public a picture of the old Beijing city deeply rooted in history through video footage, literature collection, and literary quotations. His works allow people to re understand and understand the culture, history, and humanistic spirit of this city, and better inherit and protect the cultural heritage of the old Beijing city.
王明贤参展作品《城市与记忆》 © 朱雨蒙
孙海霆用摄影记录下70-90年代建造的大量板式住宅,这些高耸于北京城市主干道和环路边上的“背景建筑”,生动地展现了一个时代的普遍居住状态。
Sun Haiting used photography to record a large number of panel style residential buildings built in the 1970s and 1990s. These towering "background buildings" along the main roads and ring roads of Beijing vividly depict the common living conditions of an era.
孙海霆参展作品《背景建筑》 © 怪脾气的周一叔叔 小红书
朱砂参展作品《Beijing Poster》© 怪脾气的周一叔叔 小红书
朱砂通过视觉设计,以47张具有北京特色的海报呈现MAD建筑事务所梳理的海外和北京的未来发展事件。这些海报呈现了未来的激动人心的愿景,最终留下空白,提问观者:我们对北京未来的愿景是什么?这一设计向观者传递了对未来的期待,呼吁大家参与到城市规划和设计中来,为实现美好愿景而努力。
Through visual design, Zhu Sha presents the future development events of overseas and Beijing organized by MAD Architecture Firm through 47 posters with Beijing characteristics. These posters present an exciting vision for the future, ultimately leaving a blank space and asking viewers: What is our vision for the future of Beijing? This design conveys expectations for the future to viewers and calls for everyone to participate in urban planning and design, striving to achieve a better vision.
理查德·巴克敏斯特·富勒参展作品《Geodesic Dome》 与 《Dome over Manhattan》 © 練懿霆 Lien
这个展览展示了20世纪中叶至今的一些富有远见的建筑师和团体,包括建筑电讯学派、理查德·巴克敏斯特·富勒、矶崎新、黑川纪章、奥斯卡·尼迈耶、弗雷·奥托、超级工作室、莱伯斯·伍兹等人的作品,以视觉档案的形式呈现。这些作品不仅展示了建筑艺术的美感,更重要的是他们在作品中融入了对社会问题和哲学问题的思考。此外,80年代中国科幻电影也在展览中得到了展示。
This exhibition shows the works of some visionary architects and groups from the middle of the 20th century to the present, including the School of Architectural Telecommunications, Richard Buckminster Fuller, Arata Isozaki, Kisho Kurokawa Jizhang, Oscar Niemeyer, Frey Otto, Super Studio, Leibers Woods, etc., in the form of visual archives. These works not only showcase the beauty of architectural art, but more importantly, they incorporate reflections on social and philosophical issues into their works. In addition, Chinese science fiction films from the 1980s were also exhibited in exhibitions.
纪录片《弗雷·奥托:跨越未来》 © 朱雨蒙
展览现场 ©怪脾气的周一叔叔 小红书
展览现场 ©怪脾气的周一叔叔 小红书
展览现场 ©怪脾气的周一叔叔 小红书
项目信息
项目名称:蓝图北京 2022首届北京艺术双年展建筑艺术版块
项目地点:木木美术馆(钱粮胡同馆)
策展:马岩松
公众开放日期:2023年1月14日 – 2023年3月12日
春节开放安排:
2023年1月21日-23日(除夕-正月初二)闭馆
2023年1月24日(正月初三)起,恢复正常开馆
开放时间:11:00 – 19:00
主要参展艺术家(以姓氏或事务所首字母排序):程艳春、Cook Haffner建筑事务所 | 彼得·库克爵士、蓝天组 | 沃尔夫·德·普瑞克斯、非常建筑 | 张永和、绘造社、石上纯也、伊东丰雄、梁琛、MAD建筑事务所 | 马岩松 + 党群 + 早野洋介、艾瑞克·欧文·莫斯、MVRDV 建筑规划事务所、OPEN建筑事务所 | 李虎+黄文菁、时境建筑 | 张继元 + 卜骁骏、孙海霆、王明贤、王子耕、未建筑设计研究所
扎哈·哈迪德建筑事务所、众建筑 | 何哲 + 沈海恩 + 臧峰、朱砂
文献部分: 建筑电讯学派、理查德·巴克敏斯特·富勒、矶崎新、黑川纪章、奥斯卡·尼迈耶、弗雷·奥托、超级工作室、莱伯斯·伍兹
影像部分: 约书亚 V. 哈塞尔、黄建新、金山、王家乙 + 罗歇·皮戈、王敏生
学术顾问: 王明贤
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