策站 — 汇聚全球展厅展馆设计策展与分享

成都CHENGDU I 《长廊》与《丛林》展陈空间

2023年12月16日，位于麓镇的A4美术馆迎来了由A4美术馆和A8设计中心共同策划的名为“成都CHENGDU”的大型展览的开幕。这次展览聚焦于成都独特的地域特质，展示了该地区各个领域的创作者及其作品，包括诗人、音乐人、艺术家、建筑师以及创意产业从业者等。

展览邀请了8位艺术策展人与7位建筑师合作设计展陈空间。其中，MUDA慕达建筑有幸成为展陈设计方，与策展人蓝庆伟和策展人释亦智共同打造了展览的《长廊》和《丛林》板块。

On December 16, 2023, the A4 Art Museum located in Luzhen welcomed the opening of a large-scale exhibition called "Chengdu CHENGDU" jointly planned by the A4 Art Museum and A8 Design Center. This exhibition focuses on the unique regional characteristics of Chengdu, showcasing creators and their works from various fields in the region, including poets, musicians, artists, architects, and practitioners in the creative industry.

The exhibition invited 8 art curators and 7 architects to collaborate in designing exhibition spaces. Among them, MUDA Architecture was fortunate enough to become the exhibition designer, working together with curator Lan Qingwei and curator Shi Yizhi to create the exhibition's "Corridor" and "Jungle" sections.

——————

项目名称：“成都CHENGDU” 艺术展《长廊》 & 《丛林》

项目类型：室内设计、展陈设计

项目地点：四川成都

建筑面积: 300㎡

《长廊》与《丛林》展陈空间

Exhibition Space for "Corridor" and "Jungle"

---

项目背景 | Project Background

将《长廊》板块由策展人蓝庆伟与五位成都本地画家联合打造，旨在将成都艺术家多样的创作状态融合到一个空间中。与此同时，《丛林》板块由策展人释亦智以佛教的基本世界观为基础，结合文殊院香园的背景，以观色和观息为主要表现手段，传达生活美学的核心理念。

如何将这两种截然不同的策展内容有机地融合到一个300平米的展览空间中呢？

The 'Long Corridor' section was jointly created by curator Lan Qingwei and five local Chengdu artists, aiming to integrate the diverse creative states of Chengdu artists into one space. At the same time, the "Jungle" section is based on the basic worldview of Buddhism by curator Shi Yizhi, combined with the background of the Manjusri Monastery Incense Garden, using color and breath observation as the main means of expression to convey the core concept of life aesthetics.

How to organically integrate these two completely different curatorial contents into a 300 square meter exhibition space?

设计理念 | Design concept

《长廊》

“当代艺术门槛很低，走廊很深。”

“流动的自由平面”——MUDA慕达建筑

The Long Corridor

The threshold for contemporary art is very low, and the corridors are very deep

The Free Plane of Flow "- MUDA Architecture

蓝庆伟策展人指出：“就像相声演员自嘲说‘会说普通话就会说相声’一样，圈内人经常自嘲当代艺术的门槛其实就是没有门槛。”他触及了当代艺术界面临的挑战和困境。而栗宪庭在一次访谈中提出了一种有趣的比喻：“当代艺术的门槛很低，但它的走廊却异常深远。”

Curator Lan Qingwei pointed out, "Just like cross-talk performers self mockingly say 'if you can speak Mandarin, you can speak cross-talk', insiders often self mockingly say that the threshold for contemporary art is actually no threshold." He touched upon the challenges and difficulties faced by the contemporary art world. In an interview, Li Xianting put forward an interesting metaphor: "The threshold for contemporary art is very low, but its corridors are exceptionally profound

因此，MUDA慕达建筑从传统园林中提取了“回廊”的概念。回廊在中国古代建筑中扮演着连接中轴线上建筑的角色，将内外空间、建筑与自然融合在一起，形成庭院和围合空间，构筑廊院景观。MUDA慕达建筑采用四面墙体的筑造，将回廊的内外空间围合起来，形成流畅自由的平面，为展览空间增添了动态和变化。

Therefore, MUDA architecture extracted the concept of "corridors" from traditional gardens. The corridor plays a role in connecting buildings along the central axis in ancient Chinese architecture, integrating internal and external spaces, architecture, and nature to form courtyards and enclosed spaces, and constructing corridor courtyard landscapes. MUDA architecture adopts a four sided wall construction, enclosing the inner and outer spaces of the corridor, forming a smooth and free plane, adding dynamics and changes to the exhibition space.

外廊部分展示了蓝庆伟的展览板块《长廊》。这些回廊不仅仅是简单的通道，而是经过现代空间叙事的转化，它们成为了互动和沉思的空间。这些回廊引导着观众穿行于蓝庆伟展示的作品之间。每件作品都邀请参观者在一步一行之间逐渐沉浸在代表成都文化与艺术的切片中。这种设计让观众能够在欣赏作品的同时，与之互动并深入思考，创造出一种独特的展览体验。

The outer corridor displays Lan Qingwei's exhibition section 'Long Corridor'. These corridors are not just simple passages, but have been transformed into spaces for interaction and contemplation through modern spatial narrative. These corridors guide the audience through the works displayed by Lan Qingwei. Each artwork invites visitors to gradually immerse themselves in slices representing Chengdu culture and art, step by step. This design allows the audience to interact and think deeply while appreciating the artwork, creating a unique exhibition experience.

深入这条《长廊》，观者逐渐目睹当代艺术脉络的曲折而交融的景象。在不同画家的笔触中，在虚实之间的浓淡变幻中，成都那闲适、散逸的表面下，其生命的张力和灵动的底色也缓缓呈现。每一幅作品都像是一段关于成都的故事，透过艺术家们的笔触和构图，勾勒出这座城市的独特气质和文化底蕴。观者在穿梭其中时，仿佛也在探寻着这座城市的心跳，感受着其独特的生命力和魅力。

As viewers delve deeper into this' long corridor ', they gradually witness the intricate and intertwined landscape of contemporary art. In the brushstrokes of different painters, amidst the contrast between reality and illusion, beneath the leisurely and ethereal surface of Chengdu, the tension of its life and the dynamic background color slowly emerge. Each artwork is like a story about Chengdu, depicting the unique temperament and cultural heritage of the city through the artists' brushstrokes and compositions. As viewers shuttle through it, it seems like they are also exploring the heartbeat of this city, feeling its unique vitality and charm.

在MUDA慕达建筑设计的“丛林”展区中，空间构思融合了架空与自由平面的概念。通过对传统与现代的深度思考，我们重新诠释了中国传统园林中的底层架空元素，创造出一个多维度体验的展览空间。

这个空间不仅仅是一个展览区域，更像是一个艺术的丛林。观众进入其中，仿佛走进了一片神秘的森林，四处环绕着枝繁叶茂的树木和茂密的草丛。而架空的设计则使整个空间充满了层次感和立体感，让观众可以从不同的角度和高度去感受展览的魅力。

在这个展区中，观众可以自由地穿梭在林间，感受自然与艺术的交融。展品被巧妙地安置在各个角落，与自然景观融为一体，呈现出一种别样的展览体验。这种多维度的设计不仅让观众能够全方位地感受艺术，也为他们提供了探索和发现的乐趣。

In the "Jungle" exhibition area of MUDA's architectural design, the spatial concept integrates the concepts of aerial and free plan. Through deep reflection on tradition and modernity, we have reinterpreted the underlying fictional elements in traditional Chinese gardens, creating a multi-dimensional exhibition space for experiential learning.

This space is not just an exhibition area, but more like an artistic jungle. The audience entered it as if they had stepped into a mysterious forest, surrounded by lush trees and dense grass. The elevated design fills the entire space with a sense of hierarchy and three dimensionality, allowing visitors to experience the charm of the exhibition from different angles and heights.

In this exhibition area, visitors can freely shuttle through the forest and experience the fusion of nature and art. The exhibits are cleverly placed in various corners, blending seamlessly with the natural landscape, presenting a unique exhibition experience. This multi-dimensional design not only allows the audience to fully experience art, but also provides them with the joy of exploration and discovery.

释亦智策划的“丛林”板块被环绕在回廊的中心，这暗示着一段进入“丛林”的旅程，探索的过程逐渐变得亲密和内省。展览布局鼓励参观者自由地移动，让他们在物理和概念上相互联系的艺术作品中漫游。这种设计体现了“流动的自由平面”的本质，其中回廊作为一个界限空间，是不同艺术表达领域之间的阈限。

参观者穿梭在回廊中，仿佛在一场艺术的漫游中探索未知。他们可以随心所欲地移动，与展品互动，感受着艺术家们的创意和灵感。回廊的存在将不同艺术表达领域连接在一起，让观众能够在艺术的边界和交汇处自由穿行，体验到跨越不同艺术形式的流动感和自由感。

这种设计不仅提供了一个展示艺术作品的空间，更是为观众打开了一扇通往艺术世界的门，让他们能够在探索和发现中感受到艺术的魅力和无限可能性。

The "Jungle" section planned by Shi Yizhi is surrounded by the center of the corridor, implying a journey into the "Jungle" where the exploration process gradually becomes intimate and introspective. The exhibition layout encourages visitors to move freely, allowing them to wander through art pieces that are physically and conceptually interconnected. This design embodies the essence of a 'free flowing plane', where the corridor serves as a boundary space and a threshold between different artistic expression fields.

Visitors shuttle through the corridors, as if exploring the unknown in an artistic journey. They can move freely, interact with exhibits, and feel the creativity and inspiration of artists. The existence of corridors connects different fields of artistic expression, allowing audiences to freely navigate through the boundaries and intersections of art, experiencing a sense of fluidity and freedom across different art forms.

This design not only provides a space to showcase artistic works, but also opens a door to the art world for the audience, allowing them to experience the charm and infinite possibilities of art through exploration and discovery.

“丛林”展区的四面墙体不仅勾勒出空间的边界，还精巧地设置了各种尺寸的开口。这些开口不仅是通往内部世界的门户，也是视觉和思维的窗户。游客可以自由穿梭于这些开口之间，每一次进入仿佛是踏入一个全新的领域，但整体体验又与周围的环境密切相连，呈现出一种“大隐于市”的意境。

The four walls of the "Jungle" exhibition area not only outline the boundaries of the space, but also ingeniously set various sizes of openings. These openings are not only gateways to the inner world, but also windows to vision and thought. Tourists can freely shuttle between these openings, each time entering as if stepping into a completely new field, but the overall experience is closely connected to the surrounding environment, presenting a "hidden in the city" atmosphere.

展区的核心是一个架空的二层空间——“照见”茶室。这个空间的设计灵感来自禅宗的冥想场所，旨在引导参观者深入内心世界。在这里，通过香味、声音和茶挂的引导，人们可以进行一次心灵的旅行，感受内心的宁静和自我观照。参观者可以选择静坐冥想，放空思绪，或者简单地享受片刻的宁静。

The core of the exhibition area is an elevated two-story space - the "Vision" tea room. The design inspiration for this space comes from the meditation site of Zen Buddhism, aiming to guide visitors to delve into their inner world. Here, guided by fragrance, sound, and tea hanging, people can embark on a spiritual journey, experiencing inner peace and self reflection. Visitors can choose to sit in meditation, clear their minds, or simply enjoy a moment of tranquility.

“照见”茶室不仅仅是供人休憩的场所，更是精神的归宿，是思考生活美学的静谧之地。茶室内的体验如同对繁忙都市生活的一种隐喻，它象征着城市中隐藏的文化空间，以及个体在社会中追求平衡和内在安宁的渴望。这个茶室代表着城市多元文化的一个侧面，成为了人们对于内心深处的探索和寻求意义的场所。

The "Zhaojian" tea room is not only a place for people to rest, but also a spiritual destination and a quiet place to reflect on the aesthetics of life. The experience in the tea room is like a metaphor for busy urban life, symbolizing the hidden cultural space in the city and the individual's desire for balance and inner peace in society. This tea room represents a facet of the city's diverse culture and has become a place for people to explore and seek meaning deep within their hearts.

在《丛林》中穿梭，观众可在陋室焚香、瓷板佛像画、插花和茶文化的追溯中感受气息与温度。在与充满亲和力的驻理人互动中，静静体味生命的轮回，印记的循环与消散，慢慢走过冬春夏秋的旅程。

In 'The Jungle', viewers can experience the atmosphere and warmth through burning incense in humble rooms, painting porcelain Buddha statues, flower arrangement, and tracing tea culture. In the interaction with friendly resident people, quietly appreciate the cycle of life, the circulation and dissipation of imprints, and slowly walk through the journey of winter, spring, summer, and autumn.

慕达建筑通过底层架空和自由平面与中国传统园林回廊概念相融合，同时深入思考了《长廊》和《丛林》板块空间的关系。他们巧妙地将两位策展人截然不同的内容融合进一个空间，创造出一个独特的展览环境。在这个空间里，参观者的物理旅程不仅是在探索艺术与文化，更是一次从内心到身体的完整体验。参观者在与历史意义和现代相关性共鸣的环境中与艺术作品互动，每一步都是一次发现，每一个角落都可能是一次新的启示。

Muda Architecture integrates the concept of traditional Chinese garden corridors through the use of elevated ground floors and free planes, while deeply considering the relationship between the spatial elements of the "Corridor" and "Jungle" sections. They cleverly integrated the vastly different content of the two curators into one space, creating a unique exhibition environment. In this space, visitors' physical journey is not only about exploring art and culture, but also a complete experience from the heart to the body. Visitors interact with artworks in an environment that resonates with historical significance and modern relevance, with each step being a discovery and every corner potentially a new revelation.