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“风之亭” I 苏州国际设计周

©夏至

“风之亭”作为苏州国际设计周最重要的公共活动空间，承担着设计周期期间的信息发布、文化沙龙等公共功能。其设计灵感来源于江南民居聚落中连绵起伏的屋顶。传统民居的屋顶被解构为多个平面几何，并在空中的不同高度重新组合，形成了一个由漂浮的屋顶所限定的空间——“风之亭”。

设计团队将传统建筑的基本元素通过当代的、艺术化的手法进行抽象、重组和再构，旨在引发人们对“传统与未来”连接可能性的重新思考。这种设计既传承了传统文化的精髓，又注入了现代艺术的元素，为参观者提供了一个独特而富有启发性的体验空间，促使他们对传统与现代的关系有更深入的理解和思考。

As the most important public activity space of Suzhou International Design Week, "Fengzhiting" undertakes public functions such as information dissemination and cultural salons during the design cycle. Its design inspiration comes from the undulating roofs of residential settlements in Jiangnan. The roof of traditional residential buildings has been deconstructed into multiple plane geometries and recombined at different heights in the air, forming a space limited by floating roofs - the "Pavilion of the Wind".

The design team abstracts, reassembles, and reconstructs the basic elements of traditional architecture through contemporary and artistic techniques, aiming to stimulate people's rethinking of the possibility of connecting "tradition and the future". This design not only inherits the essence of traditional culture, but also injects elements of modern art, providing visitors with a unique and inspiring experience space, prompting them to have a deeper understanding and reflection on the relationship between tradition and modernity.

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项目业主：2018苏州国际设计周

建筑设计：MAT 超级建筑事务所

设计团队：刘友鹏，佟斯洋，王文涛

结构形式：钢结构，现场组装

建筑材料：方钢，欧松板，阳光板，塑料帘，弹力线

苏州国际设计周

Suzhou International Design Week

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2018年的苏州国际设计周在位于国家历史文化名城苏州市中心的姑苏区桃花坞举行。桃花坞地区拥有两千多年的城市历史和无数园林古迹，是苏州的重要文化地标。在这次设计周活动中，MAT团队受邀为设计周期间的主要公共活动场所设计了一个pavilion，用以承担信息发布、文化沙龙等公共功能。

The 2018 Suzhou International Design Week was held in Taohuawu, Gusu District, located in the center of Suzhou, a national historical and cultural city. The Taohuawu area has a city history of over two thousand years and numerous garden relics, making it an important cultural landmark of Suzhou. In this design week event, the MAT team was invited to design a pavilion for the main public activity areas during the design cycle, to undertake public functions such as information dissemination and cultural salons.

©夏至

~~©夏至~~

随着博览会和建筑、艺术展览活动的兴起，pavilion作为一种建筑类型开始走向成熟。它是为特定的公共活动和事件而设计的临时建筑，重点关注结构形式与空间塑造以及参观者体验之间的关联性。通常来说，pavilion设计的重点在于如何将结构从地面升起以抵抗重力，同时其“临时性”特征也促使设计探索更轻盈的材料和更灵活的构筑方式。

With the rise of exhibitions and architectural and art exhibitions, pavilions as a type of architecture have begun to mature. It is a temporary building designed for specific public activities and events, with a focus on the correlation between structural form, spatial shaping, and visitor experience. Generally speaking, the focus of pavilion design is on how to raise the structure from the ground to resist gravity, while its "temporary" characteristics also encourage the design to explore lighter materials and more flexible construction methods.

©唐康硕

苏州国际设计周pavilion的设计灵感来自于传统的江南民居聚落。江南民居聚落以粉墙黛瓦为特色，其连续重复的山墙和连绵起伏的屋顶营造出强烈的群体形式。设计团队希望通过重新组合屋顶，再现这种群体形式：四柱形成一片屋顶，每根柱子上的枝杈又可以与其他柱子形成另一片屋顶……这样就形成了一个自由生长的聚落。层层屋顶之下，由密集的柱子所限定的自由空间成为pavilion的功能使用和精神核心。

The design inspiration for Suzhou International Design Week Pavilion comes from traditional Jiangnan residential settlements. Jiangnan residential settlements are characterized by pink walls and black tiles, with their continuous and repetitive mountain walls and undulating roofs creating a strong group form. The design team hopes to recreate this collective form by reassembling the roof: four pillars form a roof, and the branches on each pillar can form another roof with other pillars... This creates a freely growing settlement. Under the layered roof, the free space limited by dense columns becomes the functional and spiritual core of the pavilion.

©唐康硕

©夏至

在考虑综合场地因素和功能需求后，pavilion最终选择了六瓣的平面布局。设计团队将传统民居中的屋顶抽象为多个平面几何，并在空中的不同高度上重新组合，形成了由八片漂浮的屋顶和十八根钢柱所限定的空间——“风之亭”。在这个自由空间里，场地庭院景观也自然地参与其中。从某种意义上说，这个pavilion就像是一个带有咖啡座的露天剧场，为人们提供了举办活动、享受音乐、观赏表演、举行沙龙和社交的理想场所。

After considering the comprehensive site factors and functional requirements, the pavilion ultimately chose a six petal layout. The design team abstracted the roofs of traditional residential buildings into multiple plane geometries and recombined them at different heights in the air, forming a space limited by eight floating roofs and eighteen steel columns - the "Wind Pavilion". In this free space, the courtyard landscape also naturally participates. In a sense, this pavilion is like an open-air theater with a caf é, providing people with an ideal place to hold events, enjoy music, watch performances, hold salons, and socialize.

©唐康硕

除了主体结构之外，pavilion的设计中大量使用了轻质材料，以呼应其临时性和互动性特征。受苏州博物馆建筑群设计中对材料和文化的现代性操作方式的启示，pavilion的屋面采用了半透明处理。设计团队将阳光板剪裁成六边形，像瓦片一样层层叠加并平铺在方格屋架上方。这种设计不仅提供了明亮的日光，而且透明材料重叠产生的纹理与苏州的地域文化符号产生了关联。

咖啡区采用了彩色塑料帘作为立面悬挂，既加强了空间的围合感，又通过彩色透明材料传达了本次设计周活动的生活化主旨和其平等、活力的核心价值观。此外，入口和互动区还使用了桃红色的弹力线帘，一方面呼应了设计周的主视觉色系，另一方面也为大人和孩子提供了可以玩耍、互动的趣味场所。

In addition to the main structure, lightweight materials are extensively used in the design of the pavilion to complement its temporary and interactive features. Inspired by the modern operation of materials and culture in the design of Suzhou Museum complex, the roof of the pavilion adopts a semi transparent treatment. The design team cut the solar panels into hexagonal shapes, stacked layer by layer like tiles, and laid them flat on top of the grid roof truss. This design not only provides bright sunlight, but also the texture generated by the overlapping transparent materials is associated with the regional cultural symbols of Suzhou.

The coffee area adopts colored plastic curtains as the facade suspension, which not only enhances the sense of space enclosure, but also conveys the lifestyle theme and core values of equality and vitality of this design week activity through colored transparent materials. In addition, the entrance and interactive area also use peach red elastic line curtains, which not only echo the main visual color scheme of the design week, but also provide a fun place for adults and children to play and interact.

©唐康硕

©夏至

“风之亭”是一个“大玩具式”的文化地标，也是设计周期间各种公共事件的载体。设计灵感源自传统建筑的基本元素，但通过当代的、艺术化的设计手法进行抽象、重组和再构。通过空降一个自由空间给桃花坞园区注入活力，为这个拥有强烈文化标签感的地区带来新的活力。在面对老城更新课题时，设计团队希望最大化发挥建筑设计的动能，通过新场景的营造吸引新的人群，同时在冲撞和融合的场景叙事中，试图引发人们对“新和旧”、“传统与未来”连接可能性的重新思考。

"The Wind Pavilion" is a "big toy style" cultural landmark and also a carrier of various public events during the design week. The design inspiration originates from the basic elements of traditional architecture, but is abstracted, restructured, and reconstructed through contemporary and artistic design techniques. Injecting vitality into the Taohuawu Park by airdropping a free space, bringing new vitality to this region with a strong cultural label. When facing the issue of urban renewal, the design team hopes to maximize the driving force of architectural design, attract new crowds through the creation of new scenes, and at the same time, attempt to stimulate people's rethinking of the possibility of connecting "new and old" and "tradition and future" in the narrative of collision and fusion scenes.

©夏至

苏州园林中最为美丽的亭阁之一是网师园的“月到风来亭”，得名于宋代诗人卲雍的诗句：“月到天心处，风来水面时”。而苏州国际设计周的“风之亭”pavilion也是六角形且三面临水，因此被命名为“风来水面”。通过这个pavilion的设计与思考，我们试图在设计周中提出一个问题：当代的苏州如何利用设计的力量重新引领这座千年古城的人文精神？

这个问题涉及到对苏州传统文化的传承与创新，以及如何将当代的设计理念与城市发展相结合。通过“风之亭”的设计，我们可以思考如何在保护历史文化遗产的前提下，利用现代设计手法创造出更具活力和吸引力的城市空间。这不仅涉及到建筑和景观的设计，还需要考虑到城市规划、公共文化活动、社区参与等方面。因此，借助设计周的平台，我们可以与社会各界一起探讨如何以创新的方式重塑苏州的城市形象和人文精神，使其更适应当代社会的需求和发展。

One of the most beautiful pavilions in Suzhou gardens is the "Moon Comes to the Wind Pavilion" in Wangshiyuan, named after a poem by Song Dynasty poet Shao Yong: "When the moon reaches the center of heaven, the wind comes to the water surface.". The "Wind Pavilion" pavilion of Suzhou International Design Week is also hexagonal and faces water on three sides, so it is named "Wind Comes from the Water Surface". Through the design and reflection of this pavilion, we attempt to raise a question during Design Week: How can contemporary Suzhou use the power of design to re lead the humanistic spirit of this millennium old city?

This issue involves the inheritance and innovation of Suzhou's traditional culture, as well as how to integrate contemporary design concepts with urban development. Through the design of the "Wind Pavilion", we can consider how to use modern design techniques to create more dynamic and attractive urban spaces while protecting historical and cultural heritage. This not only involves the design of architecture and landscape, but also needs to consider aspects such as urban planning, public cultural activities, and community participation. Therefore, with the platform of Design Week, we can explore with various sectors of society how to reshape Suzhou's urban image and humanistic spirit in innovative ways, making it more suitable for the needs and development of contemporary society.